Monday, May 4, 2026

Milestone


I started this blog on January 9th 2009. My wife, agent, editor, and publicist insisted I start writing one as a means of helping potential readers discover my work.  

“What should I write about?” I had asked her. 

“Doesn’t matter,” she replied. “Write about anything. Write about your books, write about your day. Whatever. Just write so people can get to know you, so they can know you exist.”

That was more than seventeen years ago. I never thought much of these little posts I began doing under duress—I’ve never felt comfortable self-promoting. I struggled to come up with ideas to write each week. Some were silly, others a bit sad, revealing the mindset of a guy chasing a dream he never thought he’d catch. Looking back, I can see that all these posts are essays chronicling the experiences I’ve had as a novelist—an ongoing history of my career. Some are pretty good. A few reminded me of things I’d forgotten, but mostly they are my footprints left on a sandy beach—(a metaphorical easter egg for long time readers of this blog.)

The general theme promoted by my wife was the idea of the Little Engine That Could. To mark my progress as I chugged along the tracks, I wrote essays detailing events that I saw as mile posts—indicators that I had risen another rung. The first such essay I posted on February 13, 2010 entitled “I Must Be Someone Now” revealed how thrilled I was to find I had a Wikipedia page. About a year later, my next noted milestone was how I could finally support my family with my writing. 

These posts were born from my early experiences on Internet forums where aspiring writers gathered in the hopes of learning how to turn hobbies into careers. One of the topics was "when exactly can you call yourself a writer." This had touched off a massive and contentious debate. Some said that if you write, and wrote a lot, then that was good enough. Others argued that you can call yourself a writer when you feel you are. Still more insisted you had to be published. Because of the nascent but growing self-publishing trend, this then brought forth more perimeters and arbitrary requirements saying you are only a writer when you’ve been published by a traditional publisher. Still others feel you are not a real writer until you’ve written ten novels and support yourself with your writing. As such, I suppose I felt these milestone posts might help new writers gauge their progress. At the very least, they provided me something to write about, and now look back at.

By now, you’ve likely realized, I’ve hit a new one. 

When the Riyria Revelations was first published, an Amazon reviewer, who did not like my books, made the disparaging comment that the positive reviews must all come from friends and family. Robin and I laughed at that since no friends and no one in her family or mine had ever read any of my books despite my providing print, ebook, and audio versions. Obviously, this was disappointing, especially when I hit the New York Times Bestseller’s list on three separate occasions, and still it seemed my family wondered when I would stop this nonsense and do something useful with my life like maybe sheet metal wall art—not kidding, that was a suggestion. 

All in all, it’s probably a good thing. Realities like this keep me from thinking too much of myself. I’ve met a few too many writers whose inflated sense of self-worth is appalling. Better to have a good solid anchor reminding me that my success still rests below that of tin-snipped sailboats welded to wire. After two decades, I hadn’t merely accepted this odd family circle authorial anonymity, but forgot about it. Then, a few months ago I hit a new milestone. The truly curious aspect is that the milestone coincided with a visit from my sister and her husband. 

Robin and I moved from our home state of Michigan to Vermont when I was twenty-seven. We continued to move several more times, each one farther and farther away from Detroit. As the years ticked by, I visited less and less, and my family, being homespun midwesterners, rarely left the state. This meant I hadn’t seen my sister in years. Recently, both my mother and brother died. This reunited my sister and I—the last two survivors of the original six Sullivans—and I invited her to visit. As such, she recently came to the cabin in Shenandoah. Besides seeing her in a hospital room, I really hadn’t seen my sister in a decade. 

While they were staying with us, Robin and I took my sister and her husband to lunch at a small, wood fired pizza restaurant over the mountain. We were seated in the dining area discussing what pizza to order when a man approached the table looking awkward and apprehensive. He wasn’t the waiter. Not only did he not have the required apron, I had seen him sitting at a table across the room with his wife. The two had been staring at me and speaking softly to one another for sometime. 

“Excuse me, are you Michael J. Sullivan?” he asked, and our meal conversation stopped as everyone looked up concerned. When a stranger approaches you publicly and asks who you are, addressing you by your full name the immediate impression is that their next words will be, “You are under arrest or at the very least this summons is for you.” I'm all but certain that’s what was going through my sister’s head. I, however, had seen this look before on the face of many a reader at many a convention. 

“Yes,” I said, and the man showed not the slightest surprise. He was pretty certain or he never would have made the long, exposed trip from his table to mine. 

“I’m a huge fan of your books.”

With that sentence, there were gasps at my table. You see, one of the great milestones for any author is to catch sight of someone in the wild reading their book. It is such an uncommon thing, that few authors have ever experienced it. I still haven’t. But the rung above that is the even more rarefied event of a reader recognizing an author in the wild. As such, Robin and I were shocked. My sister and her husband were astounded. The two sat eyes wide and open-mouthed as I agreed to a photo, and the man expanded on how much he and his wife loved my books. 

When he left, my sister, still looking stunned, told me, “That was like something you’d see in a movie!” That this first time event coincided with her being there was all the more incredible. I’ll admit, it would have been nice if it had happened a few years earlier when she might have told the tale to my mother and brother, delivering news I somehow never managed to properly convey: "That I could, indeed, consider myself "a writer." But I did receive a consolation prize. Before leaving, my sister and her husband requested a set of my books. 

Thursday, April 23, 2026

Banana Tree In The Backyard


I have a banana tree growing in my backyard. I didn’t plant it. The thing took root like a weed. Now it’s three feet tall with leaves like something you’d gather in your typical video survival game. I bring this up to illustrate how strange our new home is, at least how strange it is for two old folks from Michigan.  

For those just joining us, my wife and I moved to Key West a few months ago, and we're still adjusting. We’ve lived in Michigan, Vermont, North Carolina, the Washington DC area, and for the last ten years, the Shenandoah Valley of Virginia. One of the things I learned is that it takes about six months to transition mentally from visitor to resident, when the shiny veneer wears off and the truth of a place is revealed. The gloss dulls, but the reality is richer. I’m still in the honeymoon stage with this island life, and as such I notice all the things I won’t register in another year. 

For example, there are no insects here. Okay, that’s an overstatement. There are certainly termites, a fair amount of tiny ants, and I have seen a butterfly, and two completely unrelated house flies. I have also been bitten by a mosquito, although I didn’t see it. This constitutes “no insects” because in Virginia our cabin is routinely swarmed by wasps, hornets, bore bees, gnats, several varieties of flies, stink bugs, warring tribes of ants, and lady bugs (cute until they cluster inside your house.) We've even battled with Japanese beetles that insisted on turning all of the leaves on our wonderful trees into something akin to fine, laced doilies. Honestly, we had whole "insect seasons" that ran all year because those bugs I just listed were the ones that came to life inside the house. Plenty more buzzed outside. As such all windows required screens, and doors needed to be closed immediately upon passing through. But on this island, the grand total of insects are negligible, falling well within the margin of error. People everywhere leave their doors and windows wide open to let the ocean breeze blow through. It’s nice—disconcerting, but nice. 

Then there is the time disorientation. The length of days are slightly different due to being closer to the equator than Virginia, but the distortion I speak of is more calendar related. There are seasons here, just not the meteorological ones I’m used to. Winter, spring, summer, and fall, have been replaced with wet and dry seasons. (Winter is dry, summer is wet.) While the temperature never fluctuates too much, always roaming around the seventies and low eighties (21-29 Celsius), the summer humidity makes it feel much hotter. I’ve been told it almost never gets into the 90s but recently it has from time to time. And then there are the two non-meteorological seasons defined as the busy, or high, or snow bird season, and the opposing slow, off, or low season. These mostly align with the dry and wet periods and are defined as when the island fills up with tourists and part-time residents which can boost the population by the tens of thousands. And the weather doesn’t change, it is always between 72 and 82 degrees and sunny, and has been since late November creating a Truman Show/Paradise vibe with its unerring perfection. 

The disorientation, however, comes from it always being what I view as spring or summer. On vacation, such a bizarre shift in climate is isolated, a momentary blip. You step through a wardrobe into an imaginary world that is out of sync with your own. You bask, tan, look around, and then you head back through the wardrobe and everything returns to normal. Remaining in Narnia, things get weird. Seeing decorations and hearing Christmas carols in the shops and on the radio during what appears to be the Fourth of July, is bewildering. And the weather, the warmth and sunshine never changes. It’s sort of eerie. 

When I stopped my nine-to-five job to write full-time, days of the week lost their meaning. I no longer keep track, and never know what day it is. Not knowing the day was odd, but not knowing the time of year is disturbing. I was riding my bicycle, looking up at the blue sky and thinking how it felt like spring, almost like Easter. I thought a moment, did a mental check, and was shocked to realize it was spring and Easter was the next Sunday. 

Something else that’s different is how our adopted cat Loki (named because she has proven herself the god of mischief) doesn’t bring home dead mice to prove her worth. She wanders the yard with a dead lizard in her mouth. I don’t know if it’s the same one, if she eats them or practices catch and release, or has a dark corner where she dresses the GEICO mascots up in clown suits, sets them in little stick chairs, and pretends to hold macabre tea parties by moonlight. I mean, well…Loki—right? There are also small dragons the locals call iguanas, and of course wild roosters roam the island constantly competing in the chicken version of The Voice. 

The people here are extremely friendly—really friendly, like Pleasantville nice. I feel less like I bought a house and more like I joined a fraternity. In all the places Robin and I lived, we tried to engage neighbors by greeting them on the street and inviting them to dinner and parties. Nothing worked, and we had really nice dinners. Since we arrived on Cayo Hueso (Bone Island) we’ve been repeatedly accosted and inundated with invitations by absolutely delightful people who want to welcome us to the neighborhood. One man, who lives across the street took us out to the theater for world class chamber music, then had us over for dinner. A woman we passed who was eager to meet us, refused to reveal anymore than her name because we learned the neighbors all along the street were conspiring to have a get-together in our honor and she wanted to save all her best topics for then. The local bakery had been slipping me free pastries because I showed an interest, and the bartenders have a bad habit of bringing two drinks to my wife when only one was ordered. 

The entertainment is non-stop. Bands, stage shows, comedy performances, parades, contests of such diversity they are hard to describe, and too many to catch them all. And the other day Robin met a bewildered man who asked her, “So, what do people do here?” As if he’d booked a five day vacation to the restroom of a Denny’s. Robin replied with an incredulous stare. 

Not everything is wonderful. I have more chores here. The house needs far more upkeep. The date this house was built is not entirely determined. It's possible it was erected in 1892, with an upgrade to indoor plumbing in the mid 1920's,  but it is in great shape because previous owners looked after it. I don’t want to be the lazy one that ruins the thing. Just keeping the the jungle that surrounds the house watered is time consuming. I never lived in a jungle, and I don’t now, but this tropical climate has the foliage of one. While lush and beautiful, it sheds a lot. I’m accustomed to trees dropping leaves in autumn. Here they do it constantly -- while never seeming to change the number of leaves on the trees. Leaf raking is a daily activity. On occasion a huge palm frond will fall, sometimes coconuts. It’s like living in the world of Riki Tiki Tavi, or a Johnny Quest episode. 

And then there’s that banana tree. 

In Detroit, Vermont, Carolina, and Virginia, we had all sorts of uninvited things grow in our yards. Dandelions, picker-bushes, wire grass, maple trees, kudzu, even trash tossed from passing cars or blown by wind, but never a banana tree. Its mother across the fence already dropped a bunch in our yard. They’re good, as are the avocados from the tree in another neighbor’s yard. 

So, in conclusion, no insects, cute geckos instead of mice, and tropical fruit trees instead of weeds. 

Adjusting might take longer than usual.  

Tuesday, April 21, 2026

What's the most popular Live Kickstarter right now? I'm glad you asked

Robin suspected that the Unbroken Kickstarter would break big - but it's launch surpassed even her high expectations.

On launch the data was coming in so fast, it was difficult to tell exactly how long it took to fund, but it was well under the first minute.  Here are some other stats:
  • The $100K goal was passed in less than 4 minutes
  • The $200k in less than 15 minutes
  • The $300K around the 40 minute mark 
  • The $400K hit at just a few minutes past the first hour
  • The $500K hit at a few minutes past the 2nd hour
  • The $600K hit minutes after the 4th hour - so things we slowing down greatly :-)
Robin and I would like to thank any of my readers who backed this anthology.  It's for a great cause, and it'll be an amazing book.  For those who don't know what this Kickstarter is all about, well, click here to learn more.


Sunday, April 19, 2026

Well, it's almost here - Unbroken launches in 2 days!

Hey all, Robin here.  Well this project has been delayed a few times, but we are now just days away from launching the Unbroken Kickstarter - an anthology like no other.  Well, that's not quite true, it's actually a lot like Unfettered, which was an anthology launched to help Shawn Speakman get out of medical debt.  This time the worthy cause is for author Peter Orullian who has amassed a huge financial burden due to both him and his wife being inflicted with cancer. But while UnFettered (Shawn's anthology) was amazing, Unbroken raises the bar even higher. I've never seen an anthology of this scope before. 

  • 832 fantasy filled pages
  • 275,000 words
  • 36 masters of fantasy
  • 21 New York Times best selling authors (7 of which have hit #1)
  • 4 artistic geniuses
  • 1 award-winning narrator

Peter is an American fantasy author, writer, and music industry veteran best known for his epic fantasy series The Vault of Heaven. His debut novel, The Unremembered (2011), was awarded the Compton Crook Award for Best First Novel. It introduced readers to a richly built world where music and magic are deeply intertwined, a theme that reflects Peter's own background in music. To that end, he has a new series coming out (Songs of the Dead) that has been co-written with none other than Brandon Sanderson!

The lineup of authors for this anthology is nothing short of amazing - take a look!



As for Michael's short story, it is called: The Eternal Winter - and here is the teaser description for it:
It all started with a “new thing” called war that heralded the death of thousands. Famine and disease followed. Then the world of Elan was lost to an eternal winter, a dark and bitter cold that lasted years. Those struggling to survive walked upon the face of what they considered to be a corpse. But for the one known as Muriel, the worst thing to happen was learning that the white wolf had found her. 
While this story can be read without any prior knowledge of my other works, it is first
and foremost a foundational tale for those eagerly awaiting The Cycle series.

But it's not just these amazing authors who have donated their time and effort to make this project so great. Check out these amazing collaborators who have lent their skills to produce this amazing work:

  • Artist: Donato Giancola
  • Artist: Todd Lockwood
  • Artist: Allen Morris
  • Artist: Julia Maddalina
  • Narrator: Travis Baldree
And what's really nice about this Kickstarter is that there is an edition to meet any budget.
  • $15 - ebook
  • $25 -audiobook
  • $50 - trade hardcover
  • $150 - PNW Edition (partially signed)
  • $350 - Fully-signed edition
  • $1,000 - Leather edition with Clam shell protective box
So when does this all start? I'm so glad you asked: Tuesday April 21st, 11:AM ET / 8 AM PTWe've already had 8,650 sign up to be notified - click the link and add yourself to the list.




 

Wednesday, April 15, 2026

The Elan Saga

 Hey there Robin here. Recently, I've been working on some graphics for The Cycle, and while doing that I wanted to create something that could completely illustrate "The Elan Saga" - What I was looking for was something that visually explained individual series that were interconnected and how They Cycle ties them all together.  This is what I've come up with.




If that looks like one too many series, then you've not kept up with what is in the works now.  So, for those who don't know . . . 

After the Fall is the 5th series in the Elan Saga - and the first book: Out of the Ashes will be our 2026 release (coming October 6th). No cover reveal for it yet, but hopefully soon. And yes, there will be a Kickstarter for it which will have hardcovers (regular and deluxe) as well as ebooks.  As for the audiobook, that is already up for pre-order and you can reserve a copy of it now.


Thursday, April 9, 2026

Getting Old


 Not too long ago, I was out on my front lawn smelling an old fence post and thinking what an odd job I have. I wasn’t limiting my sniffing to the fence. I also went about the property putting my nose to the bark of trees, and even a bush. Luckily, this was when I was still in Shenandoah where my neighbors are too far away to see my odd behavior. The reason I was imitating the typical dog out on a walk, was entirely due to a scene I was writing. A character was scaling a wall, their face pressed to the surface. No chance the character wasn’t getting a nose full of old wood. Only, what does old dry wood smell like? 

If you’ve ever seen the movie Stranger Than Fiction where the author Karen Eiffel (played by Emma Thompson) goes to great lengths to understand how her characters feel in order write about them, then what you just read might make more sense or merely increase your bewilderment. Most of the time I can imagine sights, sounds, and smells, but I was stumped on wood. This wasn’t old musty attic, nor mushroom laden decaying wood. The best description I had was “earthy.” This would have worked fine if such a word existed in Elan. Only it doesn’t.

One of the annoying drawbacks to writing invented world fantasy is how so many absolutely perfect words, phrases, and common references aren't allowed. Try describing an earthquake without the word earth, afternoon, without the word noon, or the midday meal which used to be called dinner. Some have even questioned the feasibility that people applauded or clapped their hands to show appreciation. What’s worse are words that are legitimate yet they are seen as inappropriate such as shoot, drive, or explode. Incidentally, it is amusing to me that explode comes from the Latin explodere to “drive out or off by clapping or making noise,” as in an audience’s reaction to a theater actor’s performance. I have long chaffed under these and other restraints that hamper my sense of free flowing expression, and force me to backspace over perfectly good sentences and ideas. 

I never wanted to be a fantasy writer. I’d mostly walked away from that section of the bookstore the same time I left high school. I was lured by the vivid relatability of more contemporary stories, the sort where I could simply go to a place and write about what I saw. The hours I spent describing people in coffee shops, or transcribing their conversations into dialog, was thrilling and so much easier than trying to imagine what a princess’s bedroom might look, smell, or feel like. Writing Hollow World had been a blast despite most of it taking place in a distant future. At least the point of view character possessed the same frame of reference as the average American. I didn’t need to explain or omit anything. I could free associate to my heart’s content. And yet, in my grass-is-always-greener mentality I failed to see that despite these limitations and draw backs, the invented world fantasy offers one attribute that all other genre’s lack. It alone possesses the intrinsicly super power of timelessness that bestows at least the chance at on-going relevance for future generations.

Recently, I have been re-reading a few of my favorite Stephen King novels such as The Stand and It. They are still wonderful, filled with inspiring prose and stunningly crafted characters, but they’re getting old. Set in the real-world, and locked in time and place, these grand tales are becoming dated. References are lost, and contemporary terms—like the ones I wasn’t allowed to use in fantasy—are acting as lead weights tied to the legs of a world class swimmer. Given enough time, it is possible these novels will acquire a nostalgic allure, and then perhaps even a historic charm. I recently discovered I owned a first edition of Hemingway’s Farewell to Arms, and found it fascinating to read a book that was both written and printed nearly a hundred years ago. To me the slang, lifestyle, references, and customs were more compelling than the story itself. Hopefully, this, too, will be King’s legacy. 

It was, in fact, Mr. King who first alerted me to this idea of fantasy’s timelessness. I read something he wrote about how mega bestsellers from years ago having been almost entirely forgotten and how only fantasy seems positioned to be resistant to this aging sickness. Nothing is immune.

Given my first book was published in 2008, my works are creeping up on their twentieth birthday and receiving their AARP invitations from readers who post reviews that speak of my stories as established and even enduring. I am forced to acknowledge my accidental good fortune. The world has, and continues to change at such breakneck speeds that not merely references and slang are victims but also fundamental beliefs, attitudes, and ethics. Had I been writing closer to the bone, wading in deeper cultural waters, perhaps I might have made a bigger splash. The cost would have been the ephemeral nature of such fame and the loss of the example my characters appear to have provided to a weary world looking for safe harbor. In another decade, my readers will likely have moved on to greater writers and my books would have been used to steady a table leg or be set out on the curb like a velveteen rabbit. But if I have any chance at all of securing that highly competitive space on the occasionally visited dust-covered top shelf it may well be due to having written fantasy rather than aiming for the great American novel. I think this is important because I suspect people will continue to suffer troubling times in the future, and the next generation may again find a need for refuge from dark skies and turbulent winds. 
 



Sunday, March 29, 2026

THE CYCLE: Preliminary Committee Results


On September 27th, 2024 I posted about the Cycle Project. As it has been a while, allow me to refresh your memory. I never intended to write anymore stories in the world of Elan except the original six novels of the Riyria Revelations. I felt the ending was satisfying for those who like complete endings—not everyone does I discovered. So, when my wife asked for more Royce and Hadrian stories, I created prequels to accommodate her, which I wrote while I worked on the science fiction thriller Hollow World. 

Then everyone wanted another fantasy series. Some hoped I would create a new world entirely, but I didn’t see the point in building a new reality when Elan still held plenty of potential and untouched real estate. The hardest thing about building an invented world is that before you can present a story you first need to educate the reader. In the past, there was the tried and true info dump that graced the start of many fantasy novels. This unpleasant habit was something diehard fantasy fans learned to accept, and which I felt prevented potential converts from joining the fun. Few casual readers appreciate a required course on geopolitical history before even finding out if the story, characters, or even the genre is for them. As the fantasy genre matured, however, writers learned to integrate world building with the story. But making world building entertaining isn’t as easy as some authors make it look. I personally find having to explain too much gets in the way of a good story in the same way that having to explain a joke after the telling kills the humor. For this reason I stuck with Elan as I assumed most of my potential readers would be familiar with it. 

In the creation of Legends of the First Empire, I was forced to flesh out more of the world and in doing so, I discovered the potential for a sequel to Revelations. For more on this read the afore mentioned Cycle Post. 

It has now been four years since the Exploratory Committee of One began their deliberation on the feasibility of a post Revelations series. The Cycle will consist of five novels, and as I have already finished drafts for books 1 through 3 as well as the prerequisite novel Blythin Castle, the committee has finally determined that there is a reasonable chance such a series might work. So, if you think I’ve been sitting in a lawn chair with an umbrella drink for the last four years while Lorian does all the heavy lifting, consider that I now have four unpublished Elan novels (aside from this year's release of Out of the Ashes) waiting in the editing queue. 

My intention at this moment, is to spend the summer editing Blythin Castle, working on the remaining necessary Cycle related short stories, and then prepping Cycle Four (C4), so I can start it in late summer/early fall. In addition, I will be working with Lorian on the second book of her series while fixing up the home we now have here on the island. 

All that said, while I have a high level of confidence in C4, C5 remains the greatest threat to this series seeing the light of day as it still has problems I need to work out. As such, the Exploratory Committee of One (ECO) has officially moved the Likelihood of Release dial from zero to a fifty-one percent chance of sunshine. 

Robin’s estimation may vary.